Sigma 35mm F14 Dg Hsm Art Lens for Sony E
This is an in-depth review of the Sigma 35mm f/one.four DG HSM Fine art prime number lens that was announced at ane of the largest photo shows in the industry, at Photokina in Deutschland on September 17, 2012 for Sigma, Catechism, Nikon, Pentax and Sony mounts. The announcement came on the same solar day with Sigma's new restructuring of its lens lineup, with three new categories that would differentiate dissimilar types of lenses: "Contemporary" for small and lightweight consumer lenses, "Art" for professional person zoom and prime lenses and "Sports" for long lenses targeted at sport and wild animals photography. Beingness a professional-level lens targeted at a variety of photography needs, including portraiture, landscapes and travel, the 35mm f/1.four is the outset Sigma lens that falls into the "Art" category.
Thanks to its large aperture of f/1.iv, the lens is not simply groovy for low-light photography, merely it also tin effectively isolate subjects from the background due to shallow depth of field, beautifully rendering groundwork highlights, also known as "bokeh". Unlike cheaper cropped-sensor lenses, the Sigma 35mm f/1.iv is designed to piece of work on both APS-C / DX and total-frame / FX sensors. The lens rivals other fast 35mm primes from Nikon, Canon and Sony, and unlike the branded versions that are in the $1500 range price-wise, the Sigma is actually the cheapest of the group at $899 MSRP.
In the past, Sigma lenses were by and large regarded as "second grade" when compared to the large brands. This had to do with a number of factors, i of which was poor quality control that resulted in a lot of variances. During recent years, Sigma has taken steps to not only tighten its quality assurance processes, but it has as well been spending a lot of resources on R&D. This resulted in new optical designs similar Sigma 200-500mm f/2.8 APO EX DG and Sigma xviii-35mm f/1.viii DC HSM that have no equivalents on the market place. In fact, the Sigma 18-35mm f/1.8 was world'due south first fast-aperture DSLR zoom lens. In addition, starting from the new line of lenses, Sigma is at present assuasive photographers to update firmware on lenses and adjust lens parameters such as focus, which again, no other manufacturer currently offers. Typically, when in that location is a heavy dorsum/front end focus deviation, you accept to send the lens to the manufacturer.
Is the Sigma 35mm f/1.4 improve than other Nikon 35mm primes? How does it perform broad open up and when stopped downwards? How does it handle? In this review, I will exercise my all-time to reply these and other questions and volition bear witness yous samples from the lens, with comparisons against the Nikon 35mm f/ane.4G, Samyang 35mm f/1.4 and Zeiss Distagon T* 35mm f/1.4 lenses.
Sigma 35mm f/1.4 DG HSM Art Specifications
- Mount Blazon: Sigma, Nikon, Canon, Sony and Pentax
- Focal Length: 35mm
- Maximum Aperture: f/ane.iv
- Minimum Aperture: f/xvi
- Lens Construction: 13 Elements in 11 Groups
- Bending of View: 63.4ยบ
- Number of Diaphragm Blades: nine
- Minimum Focusing Distance: 30cm/11.8in
- Filter Size: 67mm
- Maximum Magnification: one:5.ii
- Dimensions (Diameter x Length): 77x94mm/3×3.7in
- Weight: 665g/23.5oz.
- A lens hood, forepart & rear lens caps and carrying case are included with the lens
Other technical data, including manufacturer-provided MTF nautical chart can be constitute in the Sigma 35mm f/1.4 DG HSM folio from our lens database.
Lens Treatment and Build
The Sigma 35mm f/1.4 DG HSM is built very differently compared to previous Sigma lenses – it has a very prissy all-metallic barrel instead of a plastic barrel similar on the Sigma 50mm f/ane.4 and a metal mount. The lens feels very solid in hands and it has a better feel to it than the Nikon 35mm f/ane.4G – I would say it is similar to the high quality Zeiss lenses in terms of handling. Non quite equally heavy and bulky as the Zeiss 35mm f/1.iv though, which is congenital similar a tank with its thick metal outside. The Sigma 35mm f/1.4 features a 67mm filter thread, which is the aforementioned as the ane on the Nikon 35mm f/1.4G (the Samyang 35mm f/1.4 is the only lens in the grouping that has a 77mm filter thread). Also, the small plate with the letter "A" shows that the lens belongs to the "Art" category of lenses that I mentioned earlier in the review.
Here is how the Sigma compares to other 35mm lenses (From left to right: Sigma 35mm f/1.4, Nikon 35mm f/1.4, Zeiss 35mm f/ane.four and Samyang 35mm f/1.4):
As you can meet, most of these 35mm lenses are of about the aforementioned size, except for the Samyang 35mm f/1.4 that is visibly taller than the remainder of the group. The Samyang 35mm f/i.four and the Zeiss 35mm f/ane.4 likewise feature aperture rings, while neither the Sigma or the Nikon take them. Here is how the Sigma 35mm f/i.four compares to the Nikon 35mm f/1.4G:
Interestingly, both lenses have a very like construction from top to bottom. The focus ring of the Sigma 35mm f/one.iv is large and very smooth to rotate, which makes it easy to utilize the lens for transmission focusing. If you have been shooting with Nikon lenses, however, keep in mind that the Sigma lenses rotate in the reverse management like Catechism lenses do. Not an upshot for well-nigh people, merely tin can accept some time to get used to, specially because Nikon viewfinders show the opposite management of rotation when looking at the focus assist indicators.
In that location is a switch on the side of the lens to movement between Autofocus and Manual Focus, similar to the switches institute on Nikkor lenses. The Sigma 35mm f/one.4 comes with a plastic petal type hood that stays deeply locked once mounted on the front of the lens.
There is actually nada to complain most in terms of the lens build except i surface area – weather sealing. While the lens itself probably can take plenty of abuse, the lens mount is not sealed with a safety gasket like the new Nikon lenses. This means that you have to sentry out for dust between the lens and the photographic camera mountain or it volition hands make it into the camera and potentially fifty-fifty into the lens. As I explained in my "what to do with dust inside lenses" article, it is quite normal for lenses to suck air in and out when focusing or zooming in/out, and so I recommend to effort to proceed the rear metal mountain area clean at all times.
Autofocus Operation and Accurateness
The Sigma 35mm f/ane.4 features the aforementioned high quality "HSM" hyper-sonic motor constitute on other contempo Sigma lenses, which provides fast and quiet autofocus functioning. Autofocus accuracy is also first-class and I used the lens on a variety of Nikon DSLR photographic camera bodies, including the loftier-resolution Nikon D800E – none of them had any front or back focus bug. I ran a number of different AF accurateness tests with the LensAlign lens scale tool and the lens was spot on at all times. I have as well been receiving reports from our team members and readers that highly regard the Sigma 35mm f/1.4 for its AF accuracy. This speaks for the new QA controls at the Sigma plants and their loftier standards, which Sigma deserves to be praised for.
Source: https://photographylife.com/reviews/sigma-35mm-f1-4
0 Response to "Sigma 35mm F14 Dg Hsm Art Lens for Sony E"
Post a Comment